The sole exception isSadie Katz as the caretaker Sally, who gives an unsettlingly sensualconviction to her character. It's not like great actorscould have done much with a script like this, but these people are sounconvincing in their performances that the dialogue-driven scenesbecome downright aggravating to sit through. The dialogue is horrendous sadly, not in a so-bad-it's-funny sort ofway. The problem is thewriting, directing, and acting - the bare necessities for a good film. It's quite disturbing actually,and there are plenty of wince-inducing scenes here. The psychological aspect comes into play with themansion's caretakers, distant relatives to the protagonist, and howthey gradually lure him away from the reality that he once knew,represented by his oblivious group of friends, and eventually seducehim into their demented family culture. It's a story about a guy who inherits a largemansion from an unknown relative, and the mansion turns out to be thehome and breeding grounds for the grotesque inbred cannibals we've cometo know and love. Wrong Turn 6 tries something unique to the franchise, though: apsychological angle. But at the very least, you hopefor some camp value, gratuitous nudity, and brutal kills. So going into Wrong Turn 6: Last Resort, youknow not to expect top shelf cinema. Then the sequels kept coming and coming Wrong Turn 4has some merit in its own trashy sort of way, but 3 and 5 are among theworst 'films' ever made. Then it got an action-packed, direct-to-video sequelfeaturing Henry Rollins kicking all sorts of inbred cannibal ass, andit was awesome.

The original was essentially TheTexas Chainsaw Massacre meets The Hills Have Eyes, and it was great forwhat it was, but hardly original enough to warrant the franchisetreatment. The fact that Wrong Turn became a franchise in the first place isbaffling, not that I'm complaining.

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